Senin, 10 Desember 2012

[H504.Ebook] PDF Ebook Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

PDF Ebook Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

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Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola



Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

PDF Ebook Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

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Indian Painting: The Lesser-Known Traditions, by Anna L. Dallapiccola

Features essays by leading auhtorities on the subject.

India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop, adjusting to social and political changes. The present collection of papers is the volume of the proceedings of the conference Indian Painting: The Lesser-Known Traditions, held in Houston in 2008. The aim of the conference was to highlight these lesser-known artistic expressions grouped, until the recent past, under the heading of 'folk art'. These artistic expressions are now beginning to be recognized as of pivotal importance for an understanding of the social setting in which they have evolved. The essays concentrate on the following geographical areas: Assam, Bengal, Rajasthan, Andhra Pradesh, Tamil Nadu, Karnataka and Kerala. The timespan covered by the works discussed by the contributors ranges from the late seventeenth century to the present day.



  • Sales Rank: #2819696 in Books
  • Published on: 2012-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.71" h x .89" w x 8.89" l, 3.01 pounds
  • Binding: Hardcover
  • 216 pages

About the Author
Anna L. Dallapiccola was Professor of Indian Art at the South Asia Institute of Heidelberg University from 1971 to 1995. In 1991, she was appointed Honorary Professor at Edinburgh University, and has regularly lectured at the School of Oriental and African Studies, London, and was Visiting Professor at De Montfort University Leicester until 2004. In India she was closely involved in the Vijayanagara Research Project from 1984 to 2001. Her current research focuses on South Indian painting, in particular on the kalamkaris in the Victoria and Albert Museum. Among her most recent publications are South Indian Paintings: a catalogue of the British Museum collection (2010), The Great Platform at Vijayanagara (2010).

Most helpful customer reviews

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Indian Painting: The Lesser Known Traditions
By Aparna Thomas
The book is a powerful attempt at reconstructing social history through a medium of a genre of Indian paintings usually sidelined as folk style. The book traces the astounding diversity in Indian paintings and does justice to the independent styles that evolved during the 17th century and run till present times. It inquires into the traditional context and purpose of the paintings of mainly two cultural regions, eastern and southern India.
For instance, in Bengal the political, religious and contemporary society of the times seem to have a profound impression on the theme that was depicted in paintings. Also, it was interesting to find how Jamini Roy, one of the most influential 20th century painters has been inspired by these paintings.
Some of the paper manuscripts from the 17th and 18th century, of the epics and other works in the collection of the Victoria Albert Museum, London have found voice for the first time. The author's key involvement in the Vijaynagara Research Project has triggered her area of expertise and it is with much lucidity that she explains the idea of kingship and authority prevalent in south India through paintings. The sources for the South Indian group of paintings consist of paintings on paper and cloth and murals. The paintings have been chosen from some of the most important temples of South India, such as the Varadarajasvami temple in Kanchipuram..
Thus, these artistic contributions are of indispensable value to understand the social context in which they were made.

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